Vanessa Uvarova

Bay Tavern is the first weathered version of our Tavern font that's based on Algerian.

With three weights, open faced and outline versions to choose from you're sure to find the right style for your new project, restaurant menu, logo, t-shirt design or Pirate costume party.

Bay Tavern includes all the same alternates as our regular Tavern font family.

While our original Tavern font has been increased to include five weights additional weights for Bay Tavern will have to wait for now, adding the notched cut in's were all done by hand which causes a lot of cramping so a long break is needed before creating the extra weights.

The Fill fonts in the Bay Tavern family are meant to be used with Bay Tavern Open fonts, if you're using Bay Tavern Open then select Bay Tavern Fill, if you're using Bay Tavern Open L then select Bay Tavern Fill L, if you're using Bay Tavern Open S then select Bay Tavern Fill S, if you're using Bay Tavern Open SL then select Bay Tavern Fill SL, the same rule goes for the Open X version.

Hagen Kids is a great font for your fun design project. Supports most Latin-based languages and comes with standard and discretionary ligatures. This font is packed with alternates that you can play with. Hagen kids is suitable for long text writing, subhead, or headlines for your content. This font gives a sense of informality, friendly and personal feel to your design. You can apply this fonts onto text books aimed at children. Try it for yourself.

Auge Unicase is a sans serif display font, extra-condensed, with a unicase style. It is a very geometric font that, I hope, has a "modern-vintage" feeling. It is good for titles and short texts.

Auge Unicase has a set of alternates, accessible by contextual alternates and stylistic set.

It was designed following the Underware Latin Plus character set, with 448 glyphs, supporting 219 Latin based languages (see https://underware.nl/latin_plus/languages/).

Mathovia Script has a nostalgic feel due to its style, getting a touch of vintage script fonts that is bold, classic and fun, so this font is perfect for your project with a retro / vintage theme. A sweep makes this type of letter more unique so you can use it to create beautiful vintage letters. OpenType features with alternative styles. It can be used for various purposes such as posters, t-shirts, signage, logos, news, badges, and more. International support for most Western languages ​​is included.

Features :

• uppercase & lowercase
• numbers and punctuation
• multilingual support
• ligatures
• alternates
• swashes
• PUA encoded

Anther Brush is a textured brush font, a contemporary approach to design, naturally handmade. It also has alternatives and ligatures that make your design more attractive.

Suitable for use in designs such as clothing, invitations, book tittles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

A heavy serif font with a handmade feel, Walden gives a hearty impression.

Despite its rustic appearance, Walden is perfectly adaptable to contemporary use, wherever a bit more character is needed. Decidedly kept simple, these three weights with matching italics is all you need.

Aristotelica Pro is the 2020 redesign of the rounded geometric sans designed by Cosimo Lorenzo Pancini and Andrea Tartarelli developing the original philosophy of one of the classic and best-selling Zetafonts typefaces, Arista by Francesco Canovaro.

Originally conceived as an exercise in restraint and simplicity, Aristotelica is typographic eulogy to the simple beauty of circular shapes, aptly named after the greek philosopher who pioneered formal logic.

It shows its strengths mostly in display uses and logo design, with a palette of moods ranging from the stark elegance of the uppercase hairline weights to the playful softness of the lowercase bold weights.

True to its universalist calling, it has however been developed in a variant text version that applies slight corrections to design and metrics to allow for better legibility in long body copy.

In Aristotelica Pro both the display and the text subfamilies have been complemented with a condensed version, though especially for mobile screens and other situations where space-saving is a concern.

Also the original language coverage (extended latin, greek and cyrillic) has been expanded with the inclusion of arabic language glyphs, bringing the typeface to a total of over 1100 glyphs and 200 languages covered.

The family is further enriched by the inclusion of Aristotelica Icons, a set of matching variable-width monoline icons that can be used to faultlessly match the typeface line width.

OpenType features includes stylistic alternates, old style and lining figures and small caps.