Vanessa Uvarova

Geometris Semi-Condensed was designed by Nikolay Savchuk. Geometris Semi-Condensed is a modern versatile sans-serif typeface. What differentiates Geometris Semi-Condensed from the other fonts is an exceptionally distinctive design. Brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.

Alaca typeface was designed, based on its octagonal form, as contemporary, dynamic and modern font family. 

While designing Alaca typeface each glyph was given a form to link with other glyphs. 

As such, the harmony between the letters was carried to an advanced level.

Alaca font family consists of 6 weights and italics matching those weights.

It can be used typographically as a logo, title and text font up to certain sizes.

Tufuli means "childish" in Arabic. In this font design I wanted to represent the characters as funny and flexible, just like childish characters can be. Tufuli has sloping terminal geometric shapes, giving it a playful feeling.

Please also check out Tufuli's sibling Tufuli Arabic for more international fun.

Neue Metana is a modern minimalist design typeface with geometric type and more feature alternative character. there include some ligature. It is inspired by hype and urban design - a font suited for lifestyle with trend design. It was designed to be versatile, to blend in your design with light through bold weights add touch a lot of personality.

Kaunos creates eclectic and moderns structure by combining sansserif, slabserif and calligraphic elements in a single body. Kaunos designed by Mustafa Eren who is well accepted first typeface designer and calligraphy master by Turkey's Leraset catalog. Kaunos may be use for posters, headlines, modern and, experimental designs. It consist of 16 style of 8 weights and, italic versions of that weights. Kaunos includings; - 390+ Glyph - OpenType Features - Stylistic Alternates - Standart Ligatures - Discretionary Ligatures - Contextual Alternates

Shtozer is a retro-themed display typeface based on designs of 1960s and 1970s and additionally inspired by Cyrillic ornate lettering Vyaz. It comes in 8 weights, with 5 width variations each, all accompanied with respective obliques - making 80 styles altogether. Shtozer is a font family with extensive language coverage including Cyrillic script. It also contains numerous OpenType features and alternate glyphs to vivify the typesetting.

Kidsglow is the perfect font for all your fun designs. The font file is equipped with ordinary characters (A-Z, a-z, 0-9, ligature and lots of punctuation), as well as more than 350 glyphs to support most Latin-based languages. Plus, it comes with super fun ligature! Everything is made with the same brush, and everything is the same size as Kids, so you can be sure they will work well together! It is suitable for you to use in making t-shirt design, quote, label, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs.

Klapt Cyrillic is a geometric sans serif family that is soft on the outside and sharp on the inside. This font family of four weights includes an extended character set supporting most Latin languages ⁠ and extended Cyrillic — even Vietnamese, Serbian, Bulgarian and many more. Klapt Cyrillic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design. It has a timeless style and is great for display purposes, especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt Cyrillic or just get in touch via email to hi@seventype.com. Klapt Cyrillic is the extension of Klapt.

TT Alientz is a variable* typeface that allows the user to make a visual journey from a laconic extraterrestrial grotesque to a very prickly display serif. As part of this project, we decided to investigate the influence of a foreign substance and the consequent transformation of the original forms, which ultimately leads to extreme visual changes. The TT Alientz family consists of 3 fonts: grotesque, serif and variable* font. Each font contains more than 470 glyphs. In addition to broad language support (including Cyrillic), the typeface has stylish ligatures, contextual alternates, and old-style figures. Variability in the typeface affects the changes in the overall style of the font—moving the slider to adjust the variable axis, you can go from a laconic grotesque to an extreme serif. TT Alientz Grotesque is a fairly neat hipster grotesque, but with its own small features. In the design of some letters of the grotesque you can find small sharp elements that add uniqueness and character to the font when used in large inscriptions and headings. At the same time, when you use the font in a small size of the size and in text blocks, sharp elements do not greatly affect its readability. The design of some letters of the grotesque is quite peculiar and is intended to emphasize the initial concept of slight 'alienness'. TT Alientz Serif is an 'infected' TT Alientz Grotesque and the result of changes to it. Unlike the grotesque, the serif is dynamic, viscous, ductile and very prickly. Serif has a lot of smooth lines and not quite standard strokes contrast. It can be noted that most serifs in the antiqua are pointed inward, not outward. Despite its extremeness, the serif will look good both in large and in small body sizes. *An important clarification regarding variable fonts. At the moment, not all graphic editors, programs and browsers support variable fonts. You can check the status of support for the variability of your software here: v-fonts.com/support/

Useful links: History of TT Interphases creation TT Interphases PDF Type Specimen TT Interphases graphic presentation at Behance Based on the positive experience in creating typefaces such as TT Norms Pro and TT Commons, we once came up with the ambitious idea of trying to create the perfect typeface to work in modern interfaces on most known mobile and web platforms. We took this project very seriously and, before proceeding with the design itself, we carried out rather extensive research work. You can learn the detailed history of the typeface creation in the article by the link, and here we will tell you what we got in the end. TT Interphases consists of 22 styles: 18 styles in the basic family, 4 monospaced fonts. The main visual features of TT Interphases include the open aperture of the characters, the uniform distribution of white and black, as well as excellent readability. The general neutrality of the font pattern is not without elegance, and all the details of the typeface are made with mathematical precision and love. In addition, TT Interphases has the most advanced manual TrueType hinting. The basic TT Interphases family consists of 18 styles (9 weights and 9 obliques), in each of which there are more than 930+ glyphs. In the typeface, you can find old-style figures, stylistic alternates, mathematical signs, as well as 100 universal icons divided into five thematic groups: basic actions, states, sections of the site, documents and folders, mobile interface. TT Interphases supports more than 180 languages based on extended Latin and Cyrillic, including Bulgarian localization TT Interphases Mono is a complementary family of 4 styles (2 upright and 2 obliques), each of which consists of 740+ glyphs. We intentionally changed the sign composition of the Mono subfamily—we added special characters to the encoding and removed everything that was not needed (for example, ligatures). Although Mono borrowed the basic style-forming aspects of the main family, for example, the openness of the aperture or the degree of rounding of the circles, but due to the monospace, it adds some of his own character. First of all, this difference can be found in the changed design of signs, in noticeable visual compensators, as well as in italics, whose design is made in a more humanist way.

Klapt is a geometric sans serif family that is soft on the outside and sharp on the inside. This family of four weights, includes an extended character set supporting most Latin languages even Vietnamese! Klapt, which can be bold or very elegant, is well suited for designs ranging from branding and corporate identity to editorial design and also web design. It is great for display purposes especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt or just get in touch via email to hi@seventype.com.

RF Takt is a condensed geometric grotesque with closed forms of signs. 14 fonts from Ultralight to Black. 878 glyphs and 3738 kerning pairs. 16 opentype features. Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 91+ languages) We have tried to make RF Takt feel as good as possible in the field of graphic design and became a versatile tool for solving a wide range of graphic tasks. The specific feature of the font is that having condensed forms of characters allows you to place a large amount of information in a limited space. RF Takt will be a bright accent in a large size and will keep the readability in a small size. A large amount of opentype features opens up a wide range of options for experiments and original solutions. RF Takt is ideal for poster design, web design, newspaper design, magazine layout and covers, video titles, infographics, logos and branding, packaging, navigation solutions. Opentype features: ligatures, alternative symbols, ordinary and tabular numbers, old-style and old-style tabular numbers, tabular currency signs, fractions and automatic fraction, arrows and alternative arrows, case sensitive forms, upper and lower case numbers, small capitals.

This is Ponder. A modern sans carefully crafted to be a versatile typeface for the modern world. Featuring over 650 glyphs, Ponder includes stylistic alternates for the a, l, y and & characters to provide two uniquely styled design approaches. From contrasting strokes on the heavier weights to the angled bars on the P & R, Ponder has a unique feel that will give your brand or project that stand out quality. Ponder features extensive language support for Latin & Cyrillic as well as many opentype features such as stylistic alternates, ligatures and numbers (Tabular, Oldstyle & Circled).

Magdelin is a minimal yet warm gothic sans serif typeface consisting of 40 fonts with normal and alternate families. At its core, the design is a gothic sans having simple forms and low contrast, yet it takes some qualities from the humanist class with its calligraphy or cursive-inspired details found in the italics and the bowl shapes of characters like b and d. The weights range from thin to black. The small x-height, longer ascenders and descenders, and semi-condensed proportions give it a bit of a vintage or classic feel while still appearing contemporary and modern in current typographic landscapes. The clean design allows it to be a useful and versatile workhorse family great for branding, packaging, editorial, books, websites, digital, and more. With the alternate family (Magdelin Alt) comes even more calligraphic details by having certain strokes terminate with an angle so it reflects a broad-nib pen drawn at an angle. This increases the overall warmth in appearance. Magdelin has many OpenType features: • Stylistic alternates • Discretionary ligatures • Case-sensitive punctuation for All Caps • Tabular figures • Fractions, numerators, denominators • Superscript, subscript • Slashed zero With over 600 glyphs, this font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European.

Good, faithful Achates… Named after the trusty Trojan that followed Aeneas throughout his adventures, Achates is a humanist sans workhorse well suitable for broad range of design projects. Its soft, delicate and almost cursive shapes define warm and friendly typeface that is legible and easy on the reader's eye. Following into the footsteps of its namesake, it is humble, informal yet stable and trustworthy. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text and signage as well as web and screen design. Achates provides a broad range of advanced typographical features such as language localization, alternates, stylistic alternates, extended ligatures, fractions and case-sensitive forms. It comes with a complete figure range set of old-style, lining and tabular figures. The family has extensive multilingual support, covering more than 70 Latin-based languages and specially designed Cyrillic with Bulgarian and Russian localization. As Achates was a humble hero, a devoted friend and faithful companion to Aeneas on his journey to greatness, so this font can be your trusty sidekick on your creative path. The marvelous Agate is also named after the Trojan hero. It is considered as the stone to call on for support when you need stability and grounding in your life. Along with its supportive energy, the Agate stone has been long admired for its incredible beauty. So… a Trojan hero or a thing of beauty – it is up for you to decide… or just maybe both!

Faible is a sweet and friendly typeface, perfectly suitable for a wide range of applications. Everywhere a kind tone is required, Faible will be a perfect choice and support your design meaningfully, either branding, product/packaging, editorial design or any other design discipline. Faible consists of six different weights (ranging from Thin to Black) and two styles. It’s matching italic is an eye-catcher and support the upright within copy text or stands out nicely at ​larger display size. Designed by Moritz Kleinsorge in 2019, each weight has more than 600 characters that contain a lot of Open Type Features like ligatures, different sets of figures, case sensitive forms and arrows. Feel free to share your final designs with Faible via email to hi@moritz-kleinsorge.de I would love to see and share them.

Hello Walter is a nice and clean typography I made for my little boy Walter. The story behind is I want to create a bold font with less holes and funny shapes. More naive but still serious with a lot of glyphs easy to use in many language cyrilic included. Perfect for web and print, for making logos or children book and app. Have lot of fun.

Never Settle is a bold and powerful handwritten font with a cool vibe. It will turn any design idea into a true standout! NEVER SETTLE to give the best to you!

Violets is a cute handwritten brush font designed initially for using in a packaging design. Quirky and casual it is actually very versatile, and can be used in a variety of project styles - children book design, invitations, quotes, headings, blogs, logos and more, where a hand written type is needed. Features numbers, signs, punctuation, multilingual glyphs.

Useful links: Using the variable font in Illustrator Working with a variable font in Photoshop TT Frantz is an experimental variable font, distinguished by its slimness and lightness. The variation in the font affects the change in the height of the mean line - by moving the axis adjustment slider you can easily raise or lower the mean line of the font. In TT Frantz, you can find small references to the art deco aesthetics, which are expressed in significantly lowered or, conversely, heightened waist of the letters. In addition, depending on the position of the axis adjustment slider, the closedness of the aperture changes for some letters. In order to preserve the main feature of the font—the change in the height of the main line—we made lowercase characters as tall as uppercase ones, but at the same time we kept small kerns. An interesting fact is that in Cyrillic letters з с а е, the variability of the aperture follows a different scenario in comparison with their Latin sisters. When working on TT Frantz, we tried to make it so that when changing the variability, the width of the characters would not change, and the font would remain monospaced. And in order to avoid holes in the set, we made contextual alternates and several ligatures. Frantz consists of 470 glyphs, and in addition to broad language support (Latin and Cyrillic) it can offer standard and old-style figures, including their tubular versions, as well as ligatures. Important clarification regarding variable fonts. At the moment, not all graphic editors, programs and browsers support variable fonts. You can check the status of support for the variability of your software here: v-fonts.com/support/ But do not despair—even if you do not have access to the necessary software, you still have the opportunity to use TT Frantz in your projects. Especially for you, we have prepared three separate non-variable styles (Frantz A, Frantz B, Frantz C), each of which is responsible for a certain location of the mean line of the font and where this line is already fixed in a certain position (high, medium and low).